I took a break from working on my Wonder Woman book over the weekend to finish a piece for the Kaiju Attack Show in Barcelona, Spain. It’s always an honor to be able to participate in a group show especially one curated by Emilio Garcia & Mark Nagata. What I like even more when I can find the time to do a show is the nice mental break it gives me from what can sometimes be a ” Groundhog Day” monotony. And the freedom to do whatever I like, in most cases draw my favorite subject matter, monsters and heroes.
Ogon Bat, also known as Golden Bat, Fantaman or Phantoma is one of my favorite comic book heroes of all time. He was created by Japanese writer Ichiro Suzuki and artist Takeo Nagamatsu in 1930 so he pre-dates Batman and Superman. Considered Japan’s very first Super-hero, he first appeared in either a pulp style magazine or for the time, a popular one man, traveling show in Japan known as Kamishibai, in which big cards of art (or comic book style panels) are shuffled thru a viewer as the story is told to live audiences. You can read more about Kamishibai in an earlier post here.
Know as the protector of Atlantis and “god of justice and protector of the weak”, Ogon Bat had a maniacal laugh as he thwarted evil and villains, thoroughly enjoyable in the 1960s anime and 1966 Sonny Chiba live action film. The animated series featured a young orphan girl, Marie Yamatone, who discovered Ogon Bat in a tomb. Whenever she or her family were threatened by danger, her tears and cries for help would reawaken Ogon Bat. Weilding his cane and leaping thru the air in his billowing cape, Ogan bat came to the rescue. A scary skull faced fellow laughing like a loon, helping fellow man… doesn’t get any better for me.
For this piece, which I’ve been sketching out sporadically for a few weeks, I choose a simple medium that I’m most comfortable with and can work efficiently in, pencils and markers. I also choose to illustrate it on tracing paper for a few reasons, I love the texture it gives the subtleties of my pencil work and because I can get really interesting effects with a marker on the surface which isn’t porous so the marker stays wet for a short time allowing me to move it around, rework it or get splotchy bleeding effects kind of like watercolors, and I can work super fast in it.
The last image I choose to post above this text was the head detail of one of my initial sketches in pencil and marker. I always end up liking my quick, impulsive and gestural roughs a lot more than my final illustrations. These quick sketches always have a dynamic, kinetic and emotional quality that I can never seem to replicate.
I need to gather all the sketches I have buried in folders and compile a sketch book that’s nothing but the first roughs of my ideas on paper.
The show runs June 17th thru 31st 2010 in Barcelona, Spain.
I squeezed in some time to create a piece for Gallery 1988‘s ”Another Dimension” show.
The exhibit consists of work by several artists inspired by the classic “Twilight Zone” television series.
My initial thought was to do a piece from the “To Serve Man” episode with a young, gigantic Richard Keil playing the Kanamit that comes to earth with the “cookbook” Lol! Great episode btw!
But more than the great stories, characters and creatures of the series, the image of Rod Serling narrating is just so synonymous with the Twilight Zone show and one that stuck in my head as I imagine it did with most other folks, I opted to create my own illustration/caricature of him.
A few months back while rummaging thru the flat files of paper in Hallmark’s art store I came across these enormous sheets of vintage rag paper made in india. I bought up a stack of them not really knowing how I’d use them until the piece for this show needed to be completed. The paper is so incredibly beautiful. My photographs certainly do it no justice. Every square inch is filled with different specs, pieces of reused paper including tiny shreds of newspaper in which you can barely make out letters from some long lost article of a tragedy, a story about politics, love or an ad for a movie from Bollywood, who knows, that’s what I loved about it. I thought the rag paper was perfect for this project so I decided to create an image that would be graphic enough to let the paper become an integral part of the illustration. So as you looked at Rod Serlings face you’d get glimpses of the texture and tiny specs of paper that tempt you to look closer…you try to make out what each shred is or says….
suddenly you find yourself in the fibers and tapestry of …”THE TWILIGHT ZONE!”
Tadddatahtun! Hahaha!
Anyway, Rod Serling was a semi short fellow but I wanted to depict him much taller, bigger like his views and opinions on politics and society were.
Above, starting from the very bottom piece, I thought I’d share the entire piece but from start to finish including my first marker doodle, to the full size drawing on my wall ( the illustration is 40 inches tall ), to the final piece, done in white acrylic and appropriately, in India ink.
Sketch for perhaps a new comic book/proposal. Batman vs Daikaiju! (Japanese for giant strange beasts or monsters).
Sorry Sergio Leone, but I’m creating a new genre of crappy westerns!
Maybe I can animate this character and bring this doodle…errr poodle to life!

MICKEY MOJIRA = Mickey Mouse + Godzilla (Gojira in Japanese)

RODONALD DUCK = Rodan + Donal Duck
These were a series of small paintings I did for a Kaiju ( Japanese for monsters ) show in Japan curated by
Mark Nagata a few years ago. I’m pretty passionate about Japanese monster films and toys along with American characters like Mickey Mouse and thought it would be interesting to create hybrid creatures from some of the most popular characters of the east and west. I think these would make a fun series of vinyl toys if I could get away with it. Then again it is parody so maybe it’s possible.
Click on the images to see more detail.
This was a sketch depicting an idea I had for a story where Batman helps some rogue young warriors in a post apocalyptic alternative universe.
“BAT-TLE ROYALE!”
( Batman vs Gojira )
Gouache on wood 14″ x 14″
Here are pics of the piece I did for Mark Nagata’s Toy Karma 2 show this weekend, Sept. 5th 2009
hosted by Kirby and Whitney @ Rotofugi in Chicago.
CLICK on the image for detailed photos.
Here’s a piece I did for my pal Mark Nagata’s Captain Max Toy and Target Earth’s Gameldon toy collaboration. My illustration was part of a packet of Japanese “Bromide Cards”, (sort of like big trading cards) depicting various artists interpertations of theses fantastic toys.